Directing documentaries, recording opera, theater, and dance, making live broadcasts, and film adaptations of operas for the past 15 years, the Spiros work as cinematographers and editors as well as in collaboration with other directors. With a bittersweet reference to the transience of life, the film explores how the invisible complements the visible.įilmmakers Anaïs & Olivier Spiro have a very close relationship with Yuja Wang: they started to work with her in 2010 at Verbier Festival, and since then have completed four films of her landmark concerts.
DEUTSCHER ROADMOVIE PORTABLE
Through the Eyes of Yuja reveals us this artist in a very personal way, using a portable camera and her smartphone to record her digital diary. Yuja's wanderings are a travelogue of exciting venues, glitzy cities, and encounters with extraordinary artists-Gustavo Dudamel, Gautier Capuçon, and Leonidas Kavakos and innumerable other personalities-but they are accompanied by all the implicit downsides: fatigue, jet lag, pressure, doubts, hostilities, disorientation, and loneliness. In this film, we journey alongside the extraordinary pianist. It makes you start to wonder about things that are beneath the surface.
I think being solitary, it really allows us to think about life and to think about why people write this music. Die Beiden erleben eine turbulente Zeit um zu sich und ihrer Bestimmung zu finden. Being a musician is almost like a very isolated life, and the only time you actually get to communicate is on stage with music. Netter deutscher Roadmovie mit Lars Eidinger und Bjarne Mädel in den Hauptrollen. Der deutsche Roadmovie-Roman im Kontext gesellschaftlicher Umbr�che: Peter Handkes Der kurze Brief zum langen Abschied, Christian Krachts Faserland und Thomas Klupps Paradiso 108. In 2014, he received the Honorary Golden Bear at the Berlinale for his life’s work.Pianists have to be alone all the time, and it's hard, it's lonely. In 2012, he created the Wim Wenders Foundation as a way of bringing together his artistic work while also supporting young filmmakers. He has acted as president of the European Film Academy since 1996 and in 2005 became a member of the prominent German order known as Pour le Mérite. Wenders’ photographs have been exhibited throughout the world. DE 147639499, Geschäftsführer: Nils Oberschelp. KG, Leserservice, Leuschnerstraße 1, 70174 Stuttgart, Steuer-Nr. His Paris, Texas (1984) received the Palme d’Or at the Cannes Film Festival, where he also received the Best Director prize for Wings of Desire (1987). Neue deutsche Roadmovie-Romanze Motor Presse Stuttgart GmbH & Co. His The State of Things (1982) was awarded the Golden Lion at the Venice Film Festival. Wenders had previously received Oscar nominations for Buena Vista Social Club (1999) and Pina (2011). In 2014, Wenders made The Salt of the Earth, an Oscar-nominated documentary about Sebastião Salgado, this year’s Peace Prize recipient. von den Filmstudios Canal Plus, MACT Productions und Riofilmes produziert. Das Roadmovie basiert auf einer Idee von Salles und wurde u.
DEUTSCHER ROADMOVIE MOVIE
His 1974 road movie Alice in the Cities marked his artistic breakthrough. Central Station (im brasilianischen Original: Central do Brasil) ist ein Spielfilm des brasilianischen Regisseurs Walter Salles aus dem Jahr 1998. Wenders first attracted widespread attention for his own work in 1972 with the film version of Peter Handke’s novel The Goalkeeper’s Fear of the Penalty. In 1971, he became a founding member of Filmverlag der Autoren, a German film distributor. While still studying at the HFF, he made his first short films and also worked as a film critic for Filmkritik, Süddeutsche Zeitung, Der Spiegel and Twen.
After initially pursuing studies in medicine, philosophy and sociology and living and working abroad in Paris, he went on to complete a degree from 1967 to 1970 at the newly established film school known as the Hochschule für Film und Fernsehen (HFF) in Munich. Wim Wenders was born in Düsseldorf in 1945.
0 kommentar(er)
